Every Frame Opens a World

An AI film studio produces finished audiovisual work — commercials, animation, trailers and brand films — using generative video, image and audio models in place of a physical shoot. At Coralian, the process is still filmmaking: brief and boards, look development, generation in passes, compositing and grade, sound and edit, then delivery in every ratio the release needs. The tools changed; the craft didn't.

AI commercials and brand films, narrative short films, animation, trailers and teasers, concept and pitch visuals, architectural films built from a project's own renders, bespoke wedding films, birthday and celebration films, and complete brand systems — naming, identity, packaging and hero film built as one coherent set. We also work hybrid, mixing live-action plates with generative shots.

Yes, when it's treated as production rather than prompting. Consistency across shots, continuity, cleanup, a proper colour pass and designed sound are what separate a finished spot from a generated clip. Most frames we generate are rejected; the ones that survive are treated as plates, not finals.

All AI work is directed and edited by Arturo Alanis. Coralian Films brings 15+ years of international experience across 100+ productions in the US, Mexico, Europe and India.

Some of it. In the Commercials and Brand Films grid, Sequencer is commissioned and the rest are spec: self-initiated concept pieces made in-house. The COMEX, Sauvage Elixir and Streax Professional films are unsolicited concepts, not commissioned by, produced for, or affiliated with those brands, and NIBS and BRISEA are fictional brands invented to demonstrate the pipeline. Everything below the grid is commissioned work: both narrative films, Skywell for architect Alshaimaa Abutabl, whose project took Second Honorable Mention at the ArchiBest 2026 Vernacular AI Architecture Competition, and Cinema as a Love Language for Corde and Daniel's wedding.

An architectural film turns a project that only exists as drawings and renders into something an audience can experience: a walkthrough, a project film or a launch piece, with the design kept exact. We treat your render as a location rather than a frame, then direct inside it with a real camera language, cast characters, living light and full sound design. Useful for award submissions, client presentations, investor decks and launch films, on buildings that have not been built yet.

Yes. We write a short film around one couple and it screens at the wedding. We interview you, write a script you approve, recreate your faces, clothes, places and even your ring from photographs, then direct every scene shot by shot. Science fiction, an enchanted forest, an anime, or the beach where it all began. It includes original music composed for the film, full sound design, colour, and a 4K master for the big screen. There is no shoot day and no cameras.

Yes, and they are commissioned work. The Last Relic is an original science-fiction short about two warriors and a relic neither will put down. Joyeux Anniversaire Miranda is a birthday film written around one person, moving through the music, sport and art she loves. Both run on the same order as a shoot: development, character design, boards, look development, passes, edit, grade and sound. Celebration films work the same way, whether the occasion is a birthday, an anniversary or a retirement.

Coralian Films works between Monterrey and Mumbai, with regular work in Los Angeles and delivery worldwide. AI Studio projects are produced remotely and delivered anywhere.